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Margaret in White
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You've selected:
Margaret in White
Sheetmusic to print
9 sheet music found
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1
Dave in Black
Dave in Black
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Flute, Violin and Violoncello
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INTERMEDIATE
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David Hawkins
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Dave in Black
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David Hawkins
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SheetMusicPlus
Small Ensemble Cello,Flute,Violin - Level 3 - SKU: A0.939452 Composed by David Hawkins. Contemporary,Wedding. Score and parts. 7 pages. David Hawkins #2...
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Small Ensemble Cello,Flute,Violin - Level 3 - SKU: A0.939452 Composed by David Hawkins. Contemporary,Wedding. Score and parts. 7 pages. David Hawkins #2890845. Published by David Hawkins (A0.939452). Originally for Brass Quintet, I wrote it as the recessional for our wedding. Can be used in conjunction with Margaret in White. 3:00.
$5.99 ≈
5.59€
Dave in Black (Brass Quintet)
Dave in Black (Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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David Hawkins
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Dave in Black
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David Hawkins
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.939460 Composed by David Hawkins. Contemporary,Wedding. Score and parts. 9 pages. David Hawkins #2907403. Published b...
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Brass Ensemble - Level 3 - SKU: A0.939460 Composed by David Hawkins. Contemporary,Wedding. Score and parts. 9 pages. David Hawkins #2907403. Published by David Hawkins (A0.939460). A companion to Margaret in White, written as the recessional for my wedding.3:30.
$7.99 ≈
7.46€
Margaret in White (Brass Quintet)
Margaret in White (Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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David Hawkins
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Margaret in White
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David Hawkins
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.939459 Composed by David Hawkins. Contemporary,Holiday,Wedding. Score and parts. 9 pages. David Hawkins #2907365. Pub...
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Brass Ensemble - Level 3 - SKU: A0.939459 Composed by David Hawkins. Contemporary,Holiday,Wedding. Score and parts. 9 pages. David Hawkins #2907365. Published by David Hawkins (A0.939459). Written as the processional for my wedding. 3:10.
$7.99 ≈
7.46€
Margaret in White
Margaret in White
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Flute, Violin and Violoncello
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David Hawkins
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Margaret in White
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David Hawkins
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SheetMusicPlus
Composed by David Hawkins. Contemporary Classical, Wedding. Score, Set of Parts. 9 pages. Published by David Hawkins (S0.162133). - Score,Set of Parts - Contemp...
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Composed by David Hawkins. Contemporary Classical, Wedding. Score, Set of Parts. 9 pages. Published by David Hawkins (S0.162133). - Score,Set of Parts - Contemporary Classical,Wedding - David Hawkins
$5.99 ≈
5.59€
Pictures at an exHERbition
Pictures at an exHERbition
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Contemporary
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00 ≈
9.33€
Hey! Baby!
Hey! Baby!
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Jazz Ensemble
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INTERMEDIATE
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Bruce Channel
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Bandroom
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Hey! Baby!
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Bandroom.com Publications
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.859770 By Bruce Channel. By Bruce Channel and Margaret Cobb. Arranged by Bandroom.com Publications. Cont...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.859770 By Bruce Channel. By Bruce Channel and Margaret Cobb. Arranged by Bandroom.com Publications. Contemporary,Pop,Rock. Score and Parts. 16 pages. Bandroom.com Publications #3906637. Published by Bandroom.com Publications (A0.859770). __________________________HEY! BABY! - arranged for pep band, basketball band, jazz combo, small jazz ensemble__________________________Add some energy to your pre/post-game tunes, or even for half-time. The band gets to shout on this one! Easy keys with multiple courtesy accidentals and well-marked rehearsal numbers reduce the amount of time needed in rehearsal and improve performance.Parts are formatted to fit in a flip-folder, but print on letter-sized paper if you prefer to use 3-ring binders.__________________________The highly-flexible BcP-Flex scoring* imitates the classic rock band sound by using only 4 instruments/voices - lead, rhythm, bass, and drums:Lead: Flute, Clarinets, Alto Sax, TrumpetsRhythm: Trombone, Horn, TC Baritone, Tenor Sax,Bass: Electric Bass, Tuba, Bari SaxDrums: This arrangement includes a written drum set part, but it is often easier to get the drummer topick-up the tune by listening to the chart.__________________________To see these other high-energy titles in this series, click www.sheetmusicplus.com/search?Ntt=bcp-flex Barbara Ann (Beach Boys)Blitzkrieg Bop (Ramones)Blues Brothers Riff (I Can’t Turn You Loose - Otis Redding)Come & Get It (Selena Gomez)Grazing in the Grass (Hugh Masekela)Hey! Baby! (Bruce Channel)I Got You (I Feel Good) (James Brown)I Heard It Through The Grapevine (Marvin Gaye)Last Night (The Mar-Keys)Low Rider (War)Me! (Taylor Swift)My Sharona (The Knack)Oye Como Va (Santana)Peter Gunn (Mancini)Seven Nation Army (The White Stripes)Tequila (The Champs)That’s the Way I Like It (KC &The Sunshine Band)What Makes You Beautiful (One Direction)Wooly Bully (Sam the Sham and the Pharaohs)YMCA (Village People). . . . and a great, simple pep band setting of:The Star-Spangled Banner (USA National Anthem). __________________________.
$18.00 ≈
16.80€
I've Heard That Song Before
I've Heard That Song Before
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Piano, Voice
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INTERMEDIATE
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Dennis Lotis
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Dave Gingras and John E
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I've Heard That Song Before
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1312735 By Dennis Lotis. By Jule Styne and Sammy Cahn. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1312735 By Dennis Lotis. By Jule Styne and Sammy Cahn. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #901582. Published by DAVID LEE GINGRAS (A0.1312735). I've Heard That Song Before is a 1942 American popular song about nostalgia with music by Jule Styne and lyrics by Sammy Cahn. It was introduced by Martha O'Driscoll (dubbed by Margaret Whiting) in the 1942 film Youth on Parade. The song was nominated for the Academy Award for Best Original Song in 1942 but lost out to “White Christmas”. This version was developed from the original 1942 sheet music and features a root-based chord-blocking that John and I have used in a number of our arrangements. We also added a few bits of left-hand rhythm to keep the music flowing! We hope you like what we did with this classic old tune!
$4.99 ≈
4.66€
The Sailmaker's Cat
The Sailmaker's Cat
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Roger Aldridge
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The Sailmaker's Cat
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Roger Aldridge
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SheetMusicPlus
Small Ensemble Banjo,Double Bass,Guitar,Violin - SKU: A0.979673 Composed by Roger Aldridge. Folk,Traditional. Score and parts. 1 pages. Roger Aldridge #...
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Small Ensemble Banjo,Double Bass,Guitar,Violin - SKU: A0.979673 Composed by Roger Aldridge. Folk,Traditional. Score and parts. 1 pages. Roger Aldridge #2065733. Published by Roger Aldridge (A0.979673). This hornpipe was inspired by a photo in the book Chesapeake: Portrait of the Bay Country, by James Warner and Margaret White, of a cat in a sailmaker's shop. The tune has a playful spirit -- like a cat with many things to explore in the shop. Note: the demo recording is a Sibelius midi of only the melody. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 1991 PERFORMANCE: Ideally, violin is featured with piano and/or guitar and string bass. This tune can also be played on banjo.
$2.00 ≈
1.87€
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duet)
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EASY
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.67€
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Margaret in White
